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Eugene ionesco: Absurd is that which is devoid of purpose. The Bald Soprano by eugene ionesco. Eugene Ionesco. This dropdown field allows publication. Total Archives: 28 Items - 15 Books, 13 Articles. Page 1. The people there begin to discuss what has happened when another rhinoceros appears and crushes a woman's cat.
This generates enormous outrage and people begin to band together to argue that the presence of these rhinos should not be allowed. The beginning of a mass movement is seen on stage. At the office, an argument has broken out between the sensitive and logical Dudard and the violent, temperamental Botard, who does not believe a rhinoceros could actually appear in France despite all the claims by eyewitnesses.
Suddenly, Mrs. Botard argues against the existence of the so-called "rhinoceritis" movement, saying that the local people are too intelligent to be tricked by the empty rhetorics of a mass movement.
A rhinoceros arrives and destroys the staircase that leads out of the office, trapping all the workers and their boss, Mr. Papillion, inside. Despite being advised against it she joins her husband by jumping down the stairwell onto her husbands back off stage. Daisy has called the firemen and one by one the office-workers escape through a window out the office. The two friends begin to argue again, first about the possibility of people actually turning into rhinos and then about the morality of the transformations.
Jean is initially staunchly against the rhinos, but gradually grows lenient. As the scene progresses, Jean's skin turns greener and greener, the bumps in his head grow into a horn, his voice grows hoarse and he begins to pace around his apartment like a caged beast.
He wakes up and is worried about his head, cough and the noises outside.
After much contemplation he has a sip of brandy and goes back to bed. They proceed to talk about Jean's transformation, alcohol whether or not it immunises you or turns you into a rhino , their work, Mr.
Papillon turning into a rhino and the Logician. Daisy reveals that Botard is now also a rhinoceros. Daisy and Dudard iterate that acclimating oneself to the rhinos is the best solution, but Berenger resists. They start to have lunch, but are interrupted by a crumbling wall outside. The fire station has been sacked, and the firemen have turned into rhinos. Dudard leaves; he wants to experience the epidemic first-hand.
Berenger tries to stop him, but Daisy lets him go. Dudard soon turns into a rhino outside. The sights and sounds of the rhinos become more beautiful despite their savagery. Berenger laments Dudard's demise, and Daisy reminds Berenger that they have no right to interfere in other's lives.
She pours some brandy for Berenger and removes his bandage—still no signs of a transformation. Berenger claims he will defend her. He blames himself and Daisy for contributing, through lack of sympathy, to the transformations of Jean and Papillon, respectively.
Daisy convinces him to shrug off the guilt. The phone rings, but they hear only rhino trumpeting on the line. They turn to the radio for help, but the rhinos have taken that over, as well. They attempt, albeit briefly, to have a normal life amongst the rhinoceroses.
She comes to believe the rhinoceroses are in the right they are truly passionate. Alone, he finds himself in the wrong and attempts to change into a rhinoceros. He struggles and fails.
He returns to the mirror, face-to-face with his fate and breaks down as he struggles to accept the place he has given himself. Suddenly, he snaps out of it and renews his vow to take on the rhinos.
Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. February Learn how and when to remove this template message The American scholar Anne Quinney argues that the play, which obviously was based on real events, was autobiographical, and reflected Ionesco's own youth in Romania.
Ionesco was born in Romania to a Romanian father and French mother. Ionesco's father was a Romanian ultra-nationalist of the Orthodox faith with few political scruples, who was willing to support whatever party was in power - while his mother was a French Protestant who came from a family of Sephardic Jews who had converted to Calvinism to better fit into French society.
In the increasing antisemitic atmosphere of Romania in the interwar period, being even partly ethnically Jewish was enough to put Ionesco in danger.
The Israeli historian Jean Ancel states that the Romanian intelligentsia had a "schizophrenic attitude towards the West and its values," yet considered the West, especially France, to be their role model. At the same time antisemitism was rampant in Romania.